Be the first to be notified
Two works from the Distortion 01 series — figures caught between inner mythology and outer world. Rendered in oil and mixed media, each piece holds a tension that refuses to resolve.
A figure crowned by a sun that bleeds red — the weight of language pressing down through the body. Mixed media · 2025.
Two skies. One border. A figure holds its own gaze above ancient ruins — the red thread descends through stone. Mixed media · 2025.
Replicants are museum-quality giclée prints on heavyweight archival paper — each personally overseen by OMK for colour fidelity and depth. Limited to 30 editions per image. A way to own the work at a different scale of commitment.
A figure draped in ceremony — ancestral symbols mapped across the face, teal cloth cascading against a blood-red ground. Giclée on 160g/m² archival paper · A3 · 2025.
Bold yellow, deep navy, red — a sun-eyed figure grips an impossible weight. The red line drops straight through. Giclée on 160g/m² archival paper · A3 · 2025.
Split sky — half fire, half sky blue. A golden figure rises from stone, one red tear falling through the divide. Giclée on 160g/m² archival paper · A3 · 2025.
OMK is a painter working at the intersection of myth, identity, and raw visual energy. The work is built from layers — oil, mixed media, instinct — each canvas beginning in tension and resolving into something that refuses easy reading.
Drawing on ancestral imagery, urban rhythm, and the emotional weight of in-between states, OMK creates figures that are simultaneously ancient and urgently now. The work is made in Ghana, collected internationally.
Currently working on the Distortion series — an ongoing exploration of fractured identity and symbolic weight.